Blk Digital

by admin on October 22, 2008

Blk Digital

Invion DPF-3FLP-BLK Tilt Digital Photo/ Clock Invion DPF-3FLP-BLK Tilt Digital Photo/ Clock
$26.99

Invion 3.5-inch digital picture frame and clock is a perfect way to display your memoriesLoad your photos onto your memory card and slip into frameFramed photo/clock has a sleek finish that fits into any decor
Case Logic SCB-2-BLK Black Urban Digital Camera Case Case Logic SCB-2-BLK Black Urban Digital Camera Case
$6.99

With a unique combination of canvas, felt and interior 'tattoo' graphics, this camera case has a distinct urban look. This Case Logic camera case is compatible with most compact digital cameras.
DLO Jam Jacket Multimedia Player Skin for iPod Touch DLO Jam Jacket Multimedia Player Skin for iPod Touch
$9.99

DLO Jam Jacket Multimedia Player Skin for iPod Touch
DLO Jam Jacket Trek Multimedia Player Skin DLO Jam Jacket Trek Multimedia Player Skin
$8.49

DLO Jam Jacket Trek Multimedia Player Skin
DLO HybridShell Case for iPod Nano DLO HybridShell Case for iPod Nano
$16.99

DLO HybridShell Case for iPod nano
SanDisk Sansa Clip 2GB MP3 Player SanDisk Sansa Clip 2GB MP3 Player
$42.49

SanDisk Sansa Clip 2GB MP3 Player

In digital which is truer, a picture shot in black & white or a color photo with it’s color removed.?

or is it the same end result. I was looking at some I shot in blk & white and some that were converted and it seemed there was a difference but cannot put my finger on it. or was it the drinks I had with dinner. lol

Digital photography has shown the old saw “pictures don’t lie” for the fiction it always was. Truth is completely subjective in this context. All digital black & whites are the result of processing the original 3-color data. Various algorithms can be used to weight the tonal value of the different colors. Even in-camera you can often choose from several processing options. In post-processing, you can either accept the default method, which will vary from one software package to the next, or you can create your own. With film, different films had different tonal values, and photographers could further affect the outcome with filters. In digital, you can simulate the same things and then some in post-processing, especially if you work with raw files. The truth of any of it is for the viewer to decide. The whole point to art is to create something that a person will look at and say “yes, that’s it exactly”. These days, you get extra points if you achieve this via deception, falsehood, or misdirection.

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